Elective affinities
Tennessee Williams and Woody Allen
DOI:
https://doi.org/10.5281/zenodo.14472984Palavras-chave:
Memória, Comédia, Blue Jasmine (film), A streetcar named Desire (peça)Resumo
This essay proposes an exercise in comparative dramaturgy by bringing together the works of Tennessee Williams and of the filmmaker Woody Allen. In order to do this, we will start from comments made by the two artists regarding themes in common in both works, as well as a brief analysis of the film Blue Jasmine (2017), which takes up themes and forms from the play A streetcar named Desire (1947) and updates them to deal with contemporary historical materials.
Referências
ALLEN, Woody. Apropos of nothing. Autobiography. New York: Arcade Publishing, 2020.
COSTA, Iná Camargo. Panorama do rio vermelho. Ensaios sobre o teatro americano moderno. São Paulo: Boitempo, 2001.
FOSTER, Verna A. White Woods and Blue Jasmine: Woody Allen rewrites A Streetcar Named Desire. Literature-Film Quarterly, v. 43, n. 3, p. 188-201, July 2015. Available on Gale Academic One File: link.gale.com/apps/doc/A427757180/AONE?u=anon~bcefda51&sid=googleScholar&xid=31eae426. Acessed on: 12 Oct. 2023.
GRISSOM, James. Tennessee Williams on Woody Allen. Available on: http://jamesgrissom.blogspot.com/2017/11/tennessee-williams-on-woody-allen.html). Acessed on: 12 Oct. 2023.
SOARES, Marcos César de Paula. Jasmine e a sociabilidade das finanças. Revista Todas as Musas, ano 6, n. 2, jan.-jul. 2015. Available on: https://www.todasasmusas.com.br/12Marcos_Soares.pdf. Acessed on: 12 Oct. 2023.
SZONDI, Peter. Teoria do drama moderno [1880-1950]. São Paulo: Cosac & Naify, 2001.