A dramaturgia musical de O Ouro do Reno, de Richard Wagner

Autores

  • Marcus Mota

Palavras-chave:

Dramaturgia musical, Richard Wagner, O Ouro do Reno, O Anel do Nibelungo

Resumo

Neste artigo apresento uma análise preliminar dos procedimentos dramatúrgicos que organizam O Ouro do Reno, a primeira peça do ciclo O Anel do Nibelungo, de Richard Wagner. Para tanto, são estudadas: 1- a macroestrutura da obra; 2- as rubricas; 3- dados a partir da partitura orquestral. Em conjunto com essas informações, estabelece-se um diálogo com a recepção crítica, de modo a se integrar conceitos operacionais de dramaturgia com tópicos da bibliografia em torno de Richard Wagner.

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Sites
Mein Leben online
http://www.zeno.org/Literatur/M/Wagner,+Richard/Autobiographisches/Mein+Leben
Textos teóricos de Wagner
http://users.belgacom.net/wagnerlibrary/prose/

Anel, Bilíngue Alemão/inglês, Frederick Jameson.
http://www.murashev.com/opera/Das_Rheingold_libretto_English_German
Tradução em português do Anel, por Luiz de Lucca
http://www.luciaduraes.com.br/backup/oanel/index.html

Link sobre motivos
https://www.monsalvat.no/RingList.htm

Página sobre motivos
http://www.laits.utexas.edu/wagner/home.html
Index de motivos
https://pjb.com.au/mus/wagner/
Mitologia
http://www.umich.edu/~umfandsf/symbolismproject/symbolism.html/Teutonic_Mythology/tm1.html
Motivos em O Anel
https://richard-wagner-werkstatt.com/leitmotive-2/
Musical Motives in the Ring
https://www.monsalvat.no/RingMotives.htm

Publicado

2020-01-01

Edição

Secção

Artigos