The American theatre on the London stage

Tennessee Williams at the Royal Court Theatre

Autores/as

  • Jonathan Renan da Silva Souza USP - Universidade de São Paulo

DOI:

https://doi.org/10.5281/zenodo.14046372

Palabras clave:

English theatre, North American theatre, Subsidised theatre, George Devine, Modern British drama

Resumen

This article aims at disseminating knowledge to experts and researchers interested in American theatre of the presence of plays from the United States at the internationally recognised Royal Court Theatre in London, one of the birthplaces of modern British drama, especially for revealing new authors. It focuses on plays by Tennessee Williams (1911-1983), one of the playwrights among the distinct group of American playwrights whose work was taken to the stage of the legendary theatre. The historiographic character of this text will be intertwined with brief analyses of the relation between content and form of Tennessee’s plays which possibly attracted the attention of the artistic directors of the Royal Court and made possible a relevant exchange between the American and the modern British theatre in the post-war period.

Biografía del autor/a

  • Jonathan Renan da Silva Souza, USP - Universidade de São Paulo

    PhD Candidate at the Postgraduate Program of Linguistic and Literary Studies in English (Department of Modern Languages – DLM/FFLCH – University of São Paulo (USP)) and Visiting PhD Student at Royal Holloway University of London (2023/2024). My main research focuses on the post-War period and dramatists such as Arnold Wesker, Caryl Churchill, Edward Bond, Harold Pinter, Joan Littlewood, Joe Orton, John Arden, John McGrath, John Osborne, Sarah Kane, Shelagh Delaney and Tom Stoppard.

Referencias

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SHELLARD, Dominic. 1950-54: Was it a cultural wasteland? In: SHELLARD, Dominic (Ed.). British theatre in the 1950s. Sheffield: Sheffield Academic Press, 2000. p. 28-40 .

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VICTORIA AND ALBERT MUSEUM. Bread and Puppet Theatre. Available at: https://collections.vam.ac.uk/item/O1166831/bread-and-puppet-theatre-poster-unknown/. Access: 03 out. 2023.

WEINBERG, David. American influence on the alternative theatre movement in Britain 1956-1980. 323 p. 2015. Thesis – Kingston University London. School of Performance and Screen Studies, Faculty of Arts and Social Sciences. London, 2015.

WILLIAMS, Tennessee. Orpheus descending. London: Secker & Warburg, 1958.

WILLIAMS, Tennessee. Period of adjustment. London: Secker & Warburg, 1961.

Publicado

2024-11-07