Introdução à Dramaturgia Ateniense
Espaço, Som e Organização Textual
Palavras-chave:
Dramaturgia Ateniense, Espaço, Som, Teatro Grego, ÉsquiloResumo
Informações sobre o contexto da dramaturgia em Atenas no século V a. C. são fundamentais para compreender os textos remanescentes dos dramaturgos gregos antigos. Neste artigo, a partir de pesquisas mais recentes que aproximam Estudos Clássicos e Estudos Teatrais, são apresentados dados básicos sobre espaço, som e forma dessa dramaturgia. Para exemplificar esta contextualização, há referências aos textos de Ésquilo.
Referências
ADAMS, A. Subliminally liminal: Aeschylus' Agamemnon through the lens of transitional space. Disssertac?a?o de Mestrado, University of Notre Dame, 2013.
ANDÚJAR, R. M. The chorus in dialogue: reading lyric exchanges in Greek Tragedy. Tese, Princeton University, 2001.
BAGORDO, A. Lyric Genre Interactions in the Choruses of Attic Tragedy. Skenè, v. 1, n. 1, p. 37-55, 2015.
BAKEWELL, G. Aeschylus’s suppliant woman. The tragedy of immigration. The University of Wisconsin Press, 2013.
BECKERS, B.; BORGIA, N. The acoustic model of the Greek theatre. PROHITEC 09 – 1.2, 2007. p. 1115-1120.
BERDNAROWSKI, K. P. Negotiating dramatic character in Aeschylean drama. Tese, University of Texas at Austin, 2009.
BIRAUD, M. M. Les interjections du théâtre grec antique. Étude sémantique et pragmatique. Louvai-la-Neuve: Peeters, 2010.
BORGIA, N. El teatro griego diseñado por su acústica. Dissertação, Universitat Politècnica de Catalunya, 2005.
BOSHER, K. To dance in the orchestra: A circular argument?. Illinois Classical Studies, n. 33-34, p. 1-24, 2008-2009.
BROOKE, I. Costume in Greek classic drama. Nova York: Theatre Arts Books, 1962.
CANAVAN, J. P. Studies in the staging of Aeschylean tragedy. Tese de Doutorado, Columbia University, 1972.
CASTIJO, I. O teatro grego em contexto de representação. Imprensa da Universidade de Coimbra, 2012. Disponível em: <https://classicadigitalia.uc.pt/pt-pt/livro/o_teatro_grego_em_contexto_de_representação >. Acesso em: 15 out. 2017.
CHANTRAINE, P. Dictionnaire étymologique de la langue grecque. Klincksieck, 1968.
CSAPO, E. The men who built the theatres: Theatropolai, Theatronai, and Arkhitektones. In: WILSON, P. (Org.). The Greek theatre and festivals: documentary studies. Oxford University Press, 2007. p. 87-121.
CSAPO, E. The production and performance of comedy in antiquity. In DOBROV, Gregory W. (Org.). Brills companion to the study of Greek comedy. Brill, 2010. p. 103-142.
CSAPO, E.; SLATER, W. The context of Ancient drama. University of Michigan Press, 1995.
DALE, A. M. Collected papers. Cambridge University Press: 1969.
DAVIS, G; JONES, R. The sound reinforcement handbook. Hal Leonard/Yamaha, 1988.
DEAGUSTINI, M. P. Suplicantes de Ésquilo. Una Interpretación. Tese, Universidad Nacional de La Plata, 2015.
DI BENEDETTO, V.; MEDDA, E. La tragedia sulla scena. La tragedia come spettacolo teatrale. Torino, 2002.
DI MARCO, M. La tragedia greca. Forma, gioco scenico, technique drammatiche. Carocci, 2009.
DUNBAR, Z. Science, music and theatre. An interdisciplinary approach to the singing tragic chorus of Greek tragedy. University of London, 2007.
DURAND, M. Agôn dans les tragédies d’Eschyle. Harmarttan, 2005.
EASTERLING, P. E.(Ed.) The Cambridge companion to Greek tragedy. Cambridge University Press, 1997.
EIS, J. The function of the ekkyklema in Greek theatre. The sculptural display of murdered victims and the success of Greek tragedy for the state.
FERRARI, F. Introduzione al teatro greco. Sasoni Editore, 1996.
FRONTISI-DUCROUX, F. The Invention of Erinyes. In: KRAUS, C.; GOLDHILL, S.; FOLEY, H.; EISNER, J. (Org.). Visualizing the tragic: Drama, myth, and ritual in Greek art and literature. Oxford University Press, 2007. p. 165-176.
GOETTE, H. R. Archaeological appendix. In: WILSON, P. (Org.). The Greek theatre and festivals: documentary studies. Oxford: Oxford University Press, 2007. p. 116-121.
GREGORY, J. A companion to Greek tragedy. Blackwell Publishing, 2005.
GURD, S. Dissonance. auditory aesthetics in Ancient Greece. Fordham University Press, 2016.
HERINGTON, J. Poetry into drama: early tragedy and the Greek poetic tradition. University of California Press, 1985.
HUNNINGHER, B. Acoustics and acting in the theatre of Dionysus Eleuthereus. Amsterdã: Horth-Holland, 1956.
JONES, J. On Aristotle and Greek tragedy. Stanford University Press, 1980.
KAMPOURELLI, V. Space in Greek tragedy. Londres: Institute of Classical Studies, 2016.
KARTOMI, M. On concepts and classications of musical instruments. The University of Chicago Press, 1990.
KERMODE, F. The sense of an ending: studies in the theory of fiction. Oxford University Press, 2000.
LACTACZ, J. Einfürung in die griechische Tragödie. Vandenhoeck, 1993.
LEY, G. The theatricality of Greek tragedy: playing space and chorus. University of Chicago Press, 2007.
MASTRONARDE, D. Actors on high: the skene foor, the crane and the gods in Attic drama. Classical Antiquity, v. 9, p. 247-294, 1990.
MEINECK, P. Opsis: the visuality of greek drama. Tese, University of Nottingham, 2011.
MORETTI, J. C. Théâtre et société dans la Grèce antique. Le Livre de Poche, 2001.
MOTA, M. Teatro grego: novas perspectivas. In: CORNELLI, G. Cornelli; COSTA, G. (Org.). Estudos Clássicos. Cinema, Literatura, Teatro e Arte. Annablume, 2014. p. 85-106.
MOTA, M. Ouvir e dançar ritmos: experimentos com metros da Tragédia Grega. Classica, v. 25, n. 1/2, p. 133-148, 2012.
MOTA, M. A dramaturgia musical de Ésquilo. Investigações sobre a composição, realização, e recepção de ficções audiovisuais. Brasília: Editora da Universidade de Brasília, 2008.
MUELLER, M. Objects as actors: props and the poetics of peformance in Greek tragedy. The University of Chicago Press, 2016.
NOEL, A. S. Eccyclème et transition spatiale dans le théâtre tragique grec du Ve. siègle av. J. C. Agôn. Revue des arts de la scène , v.1, p. 1-25, 2008.
NOEL, A.S. L’objet au théâtre avant le théâtre d’objets: dramaturgie et poétique de l’objet hybride dans les tragédies d’Eschyle. Agôn, v. 4, 2011. Disponível em: <http://agon.ens-lyon.fr/index.php?id=2054>.
NOY, K. Creating a movement space: the passageway in noh and Greek theatre. New Theatre Quarterly, v. 18, n. 2, p. 176-185, 2002.
OLSEN, D. Note on ‘Corpophone’. Newsletter of Society for Ethnomusicology, v. 20, p. 5, 1980.
PAPASTAMATI-VON MOOCK, C. The theatre of Dionysus in Athens: new data and observations on its Licurgan phase. In: CSAPO, E.; GOETTE, H. R.; GREEN, J. R.; WILSON, P. (Org.) Greek theatre in the fourth century b. C.. De Gruyter, 2014. p. 77-140.
PAPASTAMATI-VON MOOCK, C. Wooden theatre of Dionysus Eleuthereus in Athens: old issues, new research. In: FREDERIKSEN, R.; GEBHARD, E. R.; SOKOLICEK, A. (Org.) The Architecture of the Ancient Greek Theatre. Acts of an International Conference at the Danish Institute at Athens. 27-30 January 2012. Aarhus, 2015. p. 39-79.
PERDICOYIANII-PALÉOLOGUE, H.. The interjections in Greek tragedy. QUCC, v. 70, n. 1, p. 49-88, 2002. ?
PICKARD-CAMBRIDGE, A. W. The dramatic festivals of Athens. Oxford University Press, 1953.
PICKARD-CAMBRIDGE, A. W. The theatre of Dionysus in Athens. Oxford Unviersity Press, 1946.
PODLECKI, A. Aeschylean Opsis. In: HARRISON, G. W.; LIAPIS, V. (Org.) Performance in Greek and Roman theatre. Brill, 2013. p. 131-148.
POE, J. P. Entrance-announcements and entrance-speeches in Greek tragedy. Harvard Studies in Classical Philology, v. 94, p. 121-56, 1992.
POOCHIGIAN, A. The staging of Aeschylus’s Persians, Seven against Thebes, and Suppliants. Tese, University of Minnesota, 2006.
POWERS, M. Athenian tragedy in performance: a guide to contemporary studies and historical debates. University of Iowa Press, 2014.
PULQUÉRIO, M. Estrutura e função do diálogo lírico epirremático em Ésquilo. Coimbra: Faculdade de Letras da Universidade de Coimbra,1964. Disponível em: <https://www.uc.pt/fluc/eclassicos/publicacoes/ficheiros/humanitas17-18/01_Pulquerio.pdf>.
REHM, R. The staging of Suppliant plays. Greek, Roman, and Byzantine Studies, v. 29, n. 3, p. 263-307, 1988.
REHM, R. The play of space. Spatial transformation in Greek tragedy. Princeton University Press, 2002.
REVERMANN, M. Generalizing about props: Greek drama, comparator traditions, and the analysis of stage objects. In: HARRISON, G. W.; LIAPIS, V. (Org.). Performance in Greek and Roman theatre. Brill, 2013. p. 77-88.
ROBERTS, D. Beginnings and endings. In: GREGROY, J. (Org.). Companion to Greek tragedy. Blackwell, 2005. p. 136-148.
ROSENMEYER, T. The art of Aeschylus. University of California Press, 1982.
SAID, E. Beginnings: intention and method. Granta Books, 1997.
SMALL, J. P. Skenographia in brief. In: HARRISON, G. W.; LIAPIS, V. (Org.). Performance in Greek and Roman theatre. Brill, 2013. p. 111-130.
STOREY, I.; ALLAN, A. A guide to Ancient Greek drama. Blackwell Publishing, 2005.
SWIFT, L. The hidden chorus. Echoes of genre in tragic lyric. Oxford University Press, 2010.
TAPLIN, O . The stagecraft of Aeschylus. Oxford University Press, 1977.
THOMAS, M. Kommoi and kommatic forms. A study of the bipartite lyrics of Aeschylus. Dissertação de Mestrado, University of Alberta, 1983.?
VILLACÈQUE, N. ???????? ???? ???????: le spectre du spectacle démocratique. In: MACÉ, D’Arnaud (Org.). Le Savoir Public. Presses Universitaries de Franche-Comté, 2013. p. 283-312.
WILLE, G. Akroasis. Der acustische Sinnesbereich in der grieschen Literatur bis zum Ende der klassischen Zeit. Tübingen: Attempto, 2000.
WILSON, P. Os músicos entre os atores. In: EASTERLING, P.; HALL, E. (Org.). Atores gregos e romanos. Aspectos de uma antiga profissão. São Paulo: Odysseus, 2008. p. 45-78. (2008a).
WILSON, P. The Athenian institution of khoregia. Cambridge University Press, 2000.
WILSON, P. Costing the Dionysia. In: REVERMANN, M.; WILSON, P. (Org.). Performance, iconography, reception: Studies in honour of Oliver Taplin, Oxford University Press, 2008. p. 88-127.
ANDÚJAR, R. M. The chorus in dialogue: reading lyric exchanges in Greek Tragedy. Tese, Princeton University, 2001.
BAGORDO, A. Lyric Genre Interactions in the Choruses of Attic Tragedy. Skenè, v. 1, n. 1, p. 37-55, 2015.
BAKEWELL, G. Aeschylus’s suppliant woman. The tragedy of immigration. The University of Wisconsin Press, 2013.
BECKERS, B.; BORGIA, N. The acoustic model of the Greek theatre. PROHITEC 09 – 1.2, 2007. p. 1115-1120.
BERDNAROWSKI, K. P. Negotiating dramatic character in Aeschylean drama. Tese, University of Texas at Austin, 2009.
BIRAUD, M. M. Les interjections du théâtre grec antique. Étude sémantique et pragmatique. Louvai-la-Neuve: Peeters, 2010.
BORGIA, N. El teatro griego diseñado por su acústica. Dissertação, Universitat Politècnica de Catalunya, 2005.
BOSHER, K. To dance in the orchestra: A circular argument?. Illinois Classical Studies, n. 33-34, p. 1-24, 2008-2009.
BROOKE, I. Costume in Greek classic drama. Nova York: Theatre Arts Books, 1962.
CANAVAN, J. P. Studies in the staging of Aeschylean tragedy. Tese de Doutorado, Columbia University, 1972.
CASTIJO, I. O teatro grego em contexto de representação. Imprensa da Universidade de Coimbra, 2012. Disponível em: <https://classicadigitalia.uc.pt/pt-pt/livro/o_teatro_grego_em_contexto_de_representação >. Acesso em: 15 out. 2017.
CHANTRAINE, P. Dictionnaire étymologique de la langue grecque. Klincksieck, 1968.
CSAPO, E. The men who built the theatres: Theatropolai, Theatronai, and Arkhitektones. In: WILSON, P. (Org.). The Greek theatre and festivals: documentary studies. Oxford University Press, 2007. p. 87-121.
CSAPO, E. The production and performance of comedy in antiquity. In DOBROV, Gregory W. (Org.). Brills companion to the study of Greek comedy. Brill, 2010. p. 103-142.
CSAPO, E.; SLATER, W. The context of Ancient drama. University of Michigan Press, 1995.
DALE, A. M. Collected papers. Cambridge University Press: 1969.
DAVIS, G; JONES, R. The sound reinforcement handbook. Hal Leonard/Yamaha, 1988.
DEAGUSTINI, M. P. Suplicantes de Ésquilo. Una Interpretación. Tese, Universidad Nacional de La Plata, 2015.
DI BENEDETTO, V.; MEDDA, E. La tragedia sulla scena. La tragedia come spettacolo teatrale. Torino, 2002.
DI MARCO, M. La tragedia greca. Forma, gioco scenico, technique drammatiche. Carocci, 2009.
DUNBAR, Z. Science, music and theatre. An interdisciplinary approach to the singing tragic chorus of Greek tragedy. University of London, 2007.
DURAND, M. Agôn dans les tragédies d’Eschyle. Harmarttan, 2005.
EASTERLING, P. E.(Ed.) The Cambridge companion to Greek tragedy. Cambridge University Press, 1997.
EIS, J. The function of the ekkyklema in Greek theatre. The sculptural display of murdered victims and the success of Greek tragedy for the state.
FERRARI, F. Introduzione al teatro greco. Sasoni Editore, 1996.
FRONTISI-DUCROUX, F. The Invention of Erinyes. In: KRAUS, C.; GOLDHILL, S.; FOLEY, H.; EISNER, J. (Org.). Visualizing the tragic: Drama, myth, and ritual in Greek art and literature. Oxford University Press, 2007. p. 165-176.
GOETTE, H. R. Archaeological appendix. In: WILSON, P. (Org.). The Greek theatre and festivals: documentary studies. Oxford: Oxford University Press, 2007. p. 116-121.
GREGORY, J. A companion to Greek tragedy. Blackwell Publishing, 2005.
GURD, S. Dissonance. auditory aesthetics in Ancient Greece. Fordham University Press, 2016.
HERINGTON, J. Poetry into drama: early tragedy and the Greek poetic tradition. University of California Press, 1985.
HUNNINGHER, B. Acoustics and acting in the theatre of Dionysus Eleuthereus. Amsterdã: Horth-Holland, 1956.
JONES, J. On Aristotle and Greek tragedy. Stanford University Press, 1980.
KAMPOURELLI, V. Space in Greek tragedy. Londres: Institute of Classical Studies, 2016.
KARTOMI, M. On concepts and classications of musical instruments. The University of Chicago Press, 1990.
KERMODE, F. The sense of an ending: studies in the theory of fiction. Oxford University Press, 2000.
LACTACZ, J. Einfürung in die griechische Tragödie. Vandenhoeck, 1993.
LEY, G. The theatricality of Greek tragedy: playing space and chorus. University of Chicago Press, 2007.
MASTRONARDE, D. Actors on high: the skene foor, the crane and the gods in Attic drama. Classical Antiquity, v. 9, p. 247-294, 1990.
MEINECK, P. Opsis: the visuality of greek drama. Tese, University of Nottingham, 2011.
MORETTI, J. C. Théâtre et société dans la Grèce antique. Le Livre de Poche, 2001.
MOTA, M. Teatro grego: novas perspectivas. In: CORNELLI, G. Cornelli; COSTA, G. (Org.). Estudos Clássicos. Cinema, Literatura, Teatro e Arte. Annablume, 2014. p. 85-106.
MOTA, M. Ouvir e dançar ritmos: experimentos com metros da Tragédia Grega. Classica, v. 25, n. 1/2, p. 133-148, 2012.
MOTA, M. A dramaturgia musical de Ésquilo. Investigações sobre a composição, realização, e recepção de ficções audiovisuais. Brasília: Editora da Universidade de Brasília, 2008.
MUELLER, M. Objects as actors: props and the poetics of peformance in Greek tragedy. The University of Chicago Press, 2016.
NOEL, A. S. Eccyclème et transition spatiale dans le théâtre tragique grec du Ve. siègle av. J. C. Agôn. Revue des arts de la scène , v.1, p. 1-25, 2008.
NOEL, A.S. L’objet au théâtre avant le théâtre d’objets: dramaturgie et poétique de l’objet hybride dans les tragédies d’Eschyle. Agôn, v. 4, 2011. Disponível em: <http://agon.ens-lyon.fr/index.php?id=2054>.
NOY, K. Creating a movement space: the passageway in noh and Greek theatre. New Theatre Quarterly, v. 18, n. 2, p. 176-185, 2002.
OLSEN, D. Note on ‘Corpophone’. Newsletter of Society for Ethnomusicology, v. 20, p. 5, 1980.
PAPASTAMATI-VON MOOCK, C. The theatre of Dionysus in Athens: new data and observations on its Licurgan phase. In: CSAPO, E.; GOETTE, H. R.; GREEN, J. R.; WILSON, P. (Org.) Greek theatre in the fourth century b. C.. De Gruyter, 2014. p. 77-140.
PAPASTAMATI-VON MOOCK, C. Wooden theatre of Dionysus Eleuthereus in Athens: old issues, new research. In: FREDERIKSEN, R.; GEBHARD, E. R.; SOKOLICEK, A. (Org.) The Architecture of the Ancient Greek Theatre. Acts of an International Conference at the Danish Institute at Athens. 27-30 January 2012. Aarhus, 2015. p. 39-79.
PERDICOYIANII-PALÉOLOGUE, H.. The interjections in Greek tragedy. QUCC, v. 70, n. 1, p. 49-88, 2002. ?
PICKARD-CAMBRIDGE, A. W. The dramatic festivals of Athens. Oxford University Press, 1953.
PICKARD-CAMBRIDGE, A. W. The theatre of Dionysus in Athens. Oxford Unviersity Press, 1946.
PODLECKI, A. Aeschylean Opsis. In: HARRISON, G. W.; LIAPIS, V. (Org.) Performance in Greek and Roman theatre. Brill, 2013. p. 131-148.
POE, J. P. Entrance-announcements and entrance-speeches in Greek tragedy. Harvard Studies in Classical Philology, v. 94, p. 121-56, 1992.
POOCHIGIAN, A. The staging of Aeschylus’s Persians, Seven against Thebes, and Suppliants. Tese, University of Minnesota, 2006.
POWERS, M. Athenian tragedy in performance: a guide to contemporary studies and historical debates. University of Iowa Press, 2014.
PULQUÉRIO, M. Estrutura e função do diálogo lírico epirremático em Ésquilo. Coimbra: Faculdade de Letras da Universidade de Coimbra,1964. Disponível em: <https://www.uc.pt/fluc/eclassicos/publicacoes/ficheiros/humanitas17-18/01_Pulquerio.pdf>.
REHM, R. The staging of Suppliant plays. Greek, Roman, and Byzantine Studies, v. 29, n. 3, p. 263-307, 1988.
REHM, R. The play of space. Spatial transformation in Greek tragedy. Princeton University Press, 2002.
REVERMANN, M. Generalizing about props: Greek drama, comparator traditions, and the analysis of stage objects. In: HARRISON, G. W.; LIAPIS, V. (Org.). Performance in Greek and Roman theatre. Brill, 2013. p. 77-88.
ROBERTS, D. Beginnings and endings. In: GREGROY, J. (Org.). Companion to Greek tragedy. Blackwell, 2005. p. 136-148.
ROSENMEYER, T. The art of Aeschylus. University of California Press, 1982.
SAID, E. Beginnings: intention and method. Granta Books, 1997.
SMALL, J. P. Skenographia in brief. In: HARRISON, G. W.; LIAPIS, V. (Org.). Performance in Greek and Roman theatre. Brill, 2013. p. 111-130.
STOREY, I.; ALLAN, A. A guide to Ancient Greek drama. Blackwell Publishing, 2005.
SWIFT, L. The hidden chorus. Echoes of genre in tragic lyric. Oxford University Press, 2010.
TAPLIN, O . The stagecraft of Aeschylus. Oxford University Press, 1977.
THOMAS, M. Kommoi and kommatic forms. A study of the bipartite lyrics of Aeschylus. Dissertação de Mestrado, University of Alberta, 1983.?
VILLACÈQUE, N. ???????? ???? ???????: le spectre du spectacle démocratique. In: MACÉ, D’Arnaud (Org.). Le Savoir Public. Presses Universitaries de Franche-Comté, 2013. p. 283-312.
WILLE, G. Akroasis. Der acustische Sinnesbereich in der grieschen Literatur bis zum Ende der klassischen Zeit. Tübingen: Attempto, 2000.
WILSON, P. Os músicos entre os atores. In: EASTERLING, P.; HALL, E. (Org.). Atores gregos e romanos. Aspectos de uma antiga profissão. São Paulo: Odysseus, 2008. p. 45-78. (2008a).
WILSON, P. The Athenian institution of khoregia. Cambridge University Press, 2000.
WILSON, P. Costing the Dionysia. In: REVERMANN, M.; WILSON, P. (Org.). Performance, iconography, reception: Studies in honour of Oliver Taplin, Oxford University Press, 2008. p. 88-127.
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2018-09-04
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