Tennessee Williams and Erwin Piscator
influences, divergences and the Dramatic Workshop collaboration
DOI:
https://doi.org/10.5281/zenodo.13740839Palabras clave:
Epic theatre, Plastic theatre, Battle of angels, The glass menagerie, North American dramaResumen
In the early 1940s, Tennessee Williams had a learning and working experience at the Dramatic Workshop, a theatre school directed by the political theatre exponent Erwin Piscator in New York. This article intends to briefly explore the relationship and debates between the two artists and, by analyzing the dropped staging project for the Battle of angels in the Dramatic Workshop’s Studio Theatre and the stylistic procedures originated in the epic theatre used in The glass menagerie, reflect on the influences of Piscator’s theatrical thinking and practice on William’s work, as well as how those were appropriated and reshaped by him.
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